2. It All Started at the End (Todo comenzó por el fin, Luis Ospina, 2015)
3. Moonlight (Barry Jenkins)
4. Jackie (Pablo Larraín)
5. Manchester by the Sea (Kenneth Lonergan)
6. Heartstone (Hjartasteinn, Guðmundur Arnar Guðmundsson)
7. The VVitch: A New-England Folktale (Robert Eggers, 2015)
8. Daguerrotype (Le secret de la chambre noire, Kiyoshi Kurosawa)
9. Lady Macbeth (William Oldroyd)
10. The Neon Demon (Nicholas Winding Refn)
11. No Home Movie (Chantal Akerman, 2015)
12. Notes on Blindness (Pete Middleton and James Spinney)
13. Sunset Song (Terence Davies, 2015)
14. Flemish Heaven (Le Ciel Flamand, Peter Monsaert)
15. Paulina (La Patota, Santiago Mitre, 2015)
16. Arrival (Denis Villeneuve)
17. Midnight Special (Jeff Nichols)
18. Never Ever (À jamais, Benoit Jacquot)
19. Sami Blood (Sameblod, Amanda Kernell)
20. Like Crazy (La pazza gioia, Paolo Virzì)
Alberto Zambenedetti is Assistant Professor in the Department of Italian Studies and the Cinema Studies Institute at the University of Toronto. He is the editor of World Film Locations Cleveland (2016), World Film Locations Florence (2014), and the co-editor of Federico Fellini: Riprese, riletture, (re)visioni (2016).
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